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EAR - Power Amplifiers

  • EAR - 8L6 Power Amp
  • EAR - 890 Power Amp
  • EAR - 890 Power Amp
  • EAR - 8L6 Power Amp
  • EAR - 534 Power Amp
  • EAR - 8L6 Power Amp
  • EAR - 8L6 Power Amp
  • EAR - 861 Power Amp
  • EAR - 861 Power Amp
  • EAR - 509 Monoblock Power Amps
  • EAR - 509 Monoblock Power Amps
  • EAR - 509 Monoblock Power Amps
  • EAR - 509 Monoblock Power Amps
  • EAR - M100A Monoblock Power Amps (Solid State)
Price:
$6,595.00
Brand:
Weight:
50.00 LBS
Shipping:
Free Shipping
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Product Description

Jaguar is pleased to offer EAR electronics, some of the most musical tube gear in existence.  When it comes to high-end tube amplifiers, there are hundreds of brands on the market, many costing much more than EAR.  However, at Jaguar we're only interested in amps like EAR or Lamm, which are created by visionary designers and stand above the others as truly unique and special.  Numerous available models allow you to select one that's the best match for your system and the sound character you're going for.

 

 

Power Amp Models

861 | Push-pull power amplifier operating in pure Class A, enhanced triode mode. Zero overall negative feedback. 32 Watts per channel stereo (bridgeable to 64 watts mono) into 4, 8, or 16 ohms. Uses EL519 output tubes. Self-biasing. Balanced and unbalanced operation.

 

534 | Push-pull power amplifier. 50 Watts per channel stereo (bridgeable to 100 watts mono) into 4, 8, or 16 ohms. Uses 6L6, EL34, or KT66 output tubes. Self-biasing. Balanced and unbalanced operation. Available with black or chrome faceplate.

 

890 | Push-pull power amplifier. 70 Watts per channel stereo (bridgeable to 140 watts mono) into 4, 8, or 16 ohms. Uses KT90 output tubes. Self-biasing.Balanced and unbalanced operation.

 

509 | Professional monoblock amplifiers. 100 Watts per channel into 4, 8, or 16 ohms. Available with either RCA or true balanced inputs. No feedback used on the transformer secondary. Entirely stable into any load.

 

M100A (Solid State) | Single-ended mono power amplifiers operating in pure Class A. 100 Watts per channel into all loads from 1 to 16 ohms. Transformer coupled. Balanced and unbalanced operation.

 

 

About EAR

EAR (formerly “Esoteric Audio Research”) is the brainchild of Tim de Paravicini, whose name has been associated since the 1970s with electronics of the highest fidelity. De Paravicini’s innovative techniques have not only borne fruit in products for EAR, but in designs for some of the world’s most highly regarded electronics manufacturers. Some of these designs have been continually prized—and sought—by discerning listeners for decades after their introduction.

Tim de Paravicini has also made unique contributions to the world of professional recording and mastering. Users of his tape recording systems, microphones, and other recording technology include performers Pink Floyd and Lenny Kravitz, the Altarus and Water Lily record labels, and renowned recording and mastering engineers like Robert Ludwig, Joe Gastwirt, and James Guthrie. One of the world’s highest-ranked mastering facilities, The Exchange in London, uses two playback systems in which the entire chain--from tape machines and equalizers to cutter amplifiers and monitoring equipment—is EAR-designed and built. Mobile Fidelity Sound Labs uses his LP cutting system, as well as a playback tape deck with his electronics.

EAR amplifiers are unequalled in their ability to deliver a pure rendition of the signal fed into them, free from the colorations and distortions of most amplifiers. Tim de Paravicini has been instrumental in investigating the role of ultrasonic resonances in amplifier circuits and their effect on transient response. He has also undertaken significant original research on the subjective effects of distortion. This research has not only facilitated the interpretation of amplifier measurements, but has shed light upon the correlation between measurements and sound quality. The results are easy to appreciate—EAR amplifiers are among the most accurate amplifiers ever made.

 

 

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